
FilmDoo
An edutainment platform helping people to learn languages and explore cultures through films.
Date | Investors | Amount | Round |
---|---|---|---|
- | investor | €0.0 | round |
N/A | €0.0 | round | |
N/A | €0.0 | round | |
investor | €0.0 | round | |
investor investor investor | €0.0 | round | |
investor | €0.0 | round | |
investor investor investor | €0.0 | round | |
N/A | €0.0 | round | |
N/A | £15.0k | Seed | |
Total Funding | 000k |
GBP | 2015 | 2020 | 2021 | 2023 |
---|---|---|---|---|
Revenues | 0000 | 0000 | 0000 | 0000 |
% growth | - | - | 11 % | - |
EBITDA | 0000 | 0000 | 0000 | 0000 |
% EBITDA margin | (38048 %) | - | - | - |
Profit | 0000 | 0000 | 0000 | 0000 |
% profit margin | (32365 %) | - | - | - |
EV | 0000 | 0000 | 0000 | 0000 |
EV / revenue | 00.0x | 00.0x | 00.0x | 00.0x |
EV / EBITDA | 00.0x | 00.0x | 00.0x | 00.0x |
R&D budget | 0000 | 0000 | 0000 | 0000 |
Source: Company filings or news article, Dealroom estimates
Related Content
FilmDoo operates as a video-on-demand (VOD) platform with a focus on making independent and international cinema accessible to a global audience. Founded in 2013 by Weerada Sucharitkul and William Page, the London-based company officially launched at the 2015 Cannes Film Festival. The founders' extensive international backgrounds—Sucharitkul, the daughter of a Thai diplomat, lived in eleven countries, and Page, a former lawyer, also has a multicultural upbringing—shaped the company's core mission to help viewers discover underrepresented films. Sucharitkul's experience as a management consultant in digital strategy and Page's legal background provided the foundation for navigating the film distribution industry.
The company's business model initially centered on transactional video-on-demand (TVOD), where users pay per view, with revenue shares typically split 70/30 with content owners. FilmDoo has since explored advertising-based video-on-demand (AVOD) and also distributes content to third-party platforms through its FilmDoo Aggregate program. The platform serves a global user base, with significant traffic from countries like the US, Indonesia, and the UK, targeting a demographic of globally-minded individuals aged 22-39 who are interested in travel, language learning, and diverse stories, including a strong collection of LGBT films.
Pivoting from pure entertainment, FilmDoo has expanded into the edutainment sector. This shift was prompted by user data indicating that a high percentage of viewers were using the platform to learn languages. In 2021, the company launched FilmDoo Academy and FilmDoo Language Learning, platforms that use its film library for educational purposes. This service leverages proprietary technology, including a metadata tagging system, a machine learning recommendation engine, and image recognition software to create interactive learning experiences. The company has secured grant funding from bodies like Creative Europe and the European Union to support this ed-tech expansion and has participated in various accelerator programs, including MassChallenge and Start it @KBC.
Keywords: video-on-demand, independent film, world cinema, language learning, edutainment, streaming service, foreign films, film distribution, cultural exploration, transactional VOD, ed-tech, film discovery, online learning, international movies, art-house films, LGBT cinema, Weerada Sucharitkul, William Page, movie streaming, global films